avril lavigne nobody's home

nothing is imposible

hahaha...i believe it

drawing again..hahaha

 

for along time never draw again, for my hobby..hahaha

Books Vs Computer

hahahaha.....get headache cause them

Graphic Card GeForce 7600GT

it's ok for playing PES 2011 with Intel Dual core 5300, 2G RAM ..hehe

you and me

hopefully, not to gave up hope ....with u

Daftar perguruan tinggi di Indonesia

Daftar perguruan tinggi di Indonesia dapat merujuk ke:

• Daftar perguruan tinggi negeri di Indonesia
• Daftar perguruan tinggi swasta di Indonesia
• Daftar perguruan tinggi Islam negeri di Indonesia
• Daftar perguruan tinggi Islam swasta di Indonesia
• Daftar perguruan tinggi kedinasan di Indonesia

Daftar 10 BUMN dengan Aset Terbesar

Kesepuluh BUMN dengan aset terbesar itu adalah(sumber VIVA News) :

1. PT Perusahaan Listrik Negara     Rp 423 triliun
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2. PT Bank Mandiri Tbk                  Rp 400 triliun
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3. PT Bank Rakyat Indonesia Tbk   Rp 367 triliun
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4. PT Pertamina (Persero)              Rp 310 triliun
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5. PT Bank Negara Indonesia Tbk   Rp 257 triliun
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6. PT Telekomunikasi Indonesia Tbk   Rp 107 triliun
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7. PT Jamsostek                           Rp  92 triliun
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8. PT Bank Tabungan Negara Tbk   Rp  66 triliun
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9. PT Taspen                                Rp  41 triliun
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10. PT Pupuk Sriwijaya                  Rp  37 triliun
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sumber data perusahaan lain : klik di sini atau di sini

white noise 2 the light

You might wonder how a film like White Noise, which was trashed nearly unanimously by critics at the time of its release in January of 2005, could ever produce a sequel. I know I do. Turns out that the original film, budgeted at about $10 million, made about five times that in US box office gross alone. I guess the thinking is that, if it made money, a sequel should naturally follow. I think that's very misguided in this case, as White Noise benefited financially by being a horror release at a time when there weren't many other options, not because people loved it. Very few who'd seen it would likely watch it again, and of those, practically none have clamored for a sequel.

Even if there were people who did like it enough to purchase it on home video, they will be unlikely to head back to theaters for a second go around, as White Noise 2 isn't even a sequel to the first film at all. The characters are wholly different, as well as the main story. The only thing that ties the two films at all is the notion of EVP, or Electronic Voice Phenomenon, where electronic viewing devices like monitors and televisions provide conduits of communication between the living and the spirit world. Except in this film, they don't really communicate, so really, the only thing similar is the fact that both films are horror-thrillers with a bunch of TVs that show static. Apparently, there is a market for this.

If anything, White Noise 2 plays out more like a rip-off of The Dead Zone, with elements of Yogen, if told with a Final Destination mentality, with its protagonist who suffers from a near-death experience that gives him unique powers to foretell the upcoming deaths of people he sees. The man in this case is Abraham Dale (Fillion, "Firefly"), who loses his wife and son at the hands of a gunman (Fairbrass, The Long Weekend) who shoots them both in cold blood for reasons unknown before emptying another round on himself. Despondent, Abraham tries to take his own life, seeing the infamous "white light" phenomenon that occurs for many who experience a near-death state, and he awakens to find that he can see auras around certain people. He doesn't know why, but soon discovers that those viewed with an aura soon die afterward, knowledge Abe soon uses to try to save them before calamity strikes. Unfortunately, disaster awaits when fate (or Satan, in this case) is denied the souls of intended victims, so Abraham tries to figure out hows and why the powers work in order to try to reverse the trend that ends with even more mortalities when he saves a life.

Whether you're a fan of White Noise or someone who detests it, your ability to be entertained by White Noise 2 resides primarily on your tolerance for the gimmick-laden horror-thrillers of recent years, like The Butterfly Effect and the aforementioned Final Destination series. All of them feature characters that are trying to find a way to cheat death, only to encounter some sort of conundrum as to why they can't quite achieve total success, despite the fact that they do achieve momentary victories over an unknown force. You should know that my tolerance level for these kinds of films are pretty low, as I can't think of one I regard positively (save perhaps Minority Report, if you want to stretch out the scope to include non-horror), but if that's your bag, perhaps you will come away liking the mechanical, derivative pleasures that this tricky, paranormal b-movie has to offer.

Though it stars Serenity's Nathan Fillion, who tends to be best in campy fare for his deadpan, wisecracking delivery, White Noise 2 plays out completely straight-faced and somber. Just as Michael Keaton in the first White Noise, Fillion serves merely as a placeholder hero for the piece, not really utilizing him for his personality strengths except that we have liked him in other vehicles. Katee Sackhoff (Halloween: Resurrection, "Battlestar Galactica") does come along to provide a bit of levity, and perhaps the possibility of an emotional connection, but the development just wasn't there in order to truly connect the characters as anything more than a passing fancy.

As the film is serious, the implausibility factor is inordinately high, as we see Abe encounter those with auras at predictable turns. Perhaps I've led too much of a sheltered life that death doesn't occur whenever I leave the house, but poor Abe seems to have calamity follow wherever he goes, particularly among those he has come to know. Allusions to Abe being some sort of superhero come about, which is an interesting story angle that would have made the film a bit more robust if pursued, but, once again, marketing such a film would prove too difficult, and the script by Matt Venne plays most of it safe by sticPratinjauking closely to the tried-and-true horror-thriller formula. 

White Noise 2 is a wholly derivative thriller that suffers by being far too similar to other movies that aren't particularly great to begin with. Although it could have gone for a more philosophical approach, the direction by Patrick Lussier (Dracula 2000) tries more for the contemporary form of visceral cinema that has nearly suffocated the horror genre into being little more than sensory titillation and visceral jolts, punctuated by needless jump-scares every 10 minutes or so. Ghosts appear right on cue, although their presence in this film is still a complete mystery to me. While it certainly does hold your interest, it isn't half as intelligent as it should have been to stand out in the crowded field of gimmick-laden horror. 

I suppose if you want nothing more than something to hold your attention and creep you out from time to time, White Noise: The Light works in a limited fashion. However, viewers looking for a tight plot, intelligent story, and something of substance will find themselves irresistibly drawn to the light of the sun shining outside the theater doors, beckoning them ever more strongly with each passing minute of this inconsequential, noise-filled distraction.

Mini Biography Allison Mack

Allison Mack 

Height

5' 5" (1.65 m) 

Mini Biography

Mack was born in Germany but moved with her family to Long Beach, California, when she was 2. She began acting at 4 with print work and commercials, and began studying at The Young Actors Space in Los Angeles when she was 7. She is still currently attending classes there in improvisation and scene study. Before joining the cast of "Smallville"(2001), Allison starred in the short-lived and sorely under-rated Fox television comedy"Opposite Sex" (2000). Prior to that, she was a regular on "Hiller and Diller" (1997), working alongside great talents such as Richard Lewis, Kevin Nealon, and Eugene Levy. Allison has also guest-starred in the WB family drama "7th Heaven" (1996) as a teenager caught up in the "cutting" trend.

Mack has starred in many movies for television, including the cable film My Horrible Year! (2001) (TV), which was directed by Eric Stoltz and starring Karen Allen, Mimi Rogers, and Stoltz himself. She was also in A Private Matter (1992) (TV) with Sissy Spacek and Aidan Quinn, Living a Lie (1991) (TV) with Peter Coyote and Jill Eikenberry, Unlikely Angel (1996) (TV) with Dolly Parton and Roddy McDowall, and Stolen Memories: Secrets from the Rose Garden (1996) (TV) starring Mary Tyler Moore and Linda Lavin. Allison is also an accomplished dancer and singer and she currently living in Los Angeles. She enjoys reading, going to movies and plays and spending time with her friends and family.

MasterCAM Sweep Surface, Roughing, Flowline Toolpath

Desain dan Perancangan Mold Sol Sepatu dengan MasterCAM V9

Mastercam adalah perangkat lunak komputer berbasis CAD/CAM yang mampu membuat gambar 2D menjadi 3D dengan metode surface, wiferframe dan solid.

Kemudahan yang diperoleh dari master CAM :

  • Pembuatan gambar 3D dengan praktis.

  • Kemudahan dalam memodifikasi pemodelan gambar 3D.

  • Fleksibilitas dalam menerima gambar grafis CAD lainnya.

  • Dapat melakukan simulasi pemesinan sebelum dilakukan proses pemesinan yang sesungguhnya.

  • Dapat melakukan strategi pemesinan sehingga dapat menentukan jenis pahat yang digunakan sesuai dengan 

     materialnya

Design of framework use Ansys

Metode Elemen Hingga adalah metode numerik yang dapat dimanfaatkan untuk menghasilkan penyelesaian pendekatan (tidak eksak) maka diperlukan berbagai teknik untuk memperoleh harga yang paling mendekati dengan harga eksaknya. Seiring dengan perkembangan hardware komputer yang sangat cepat, memungkinkan perkembangan software berbasis elemen hingga. Saat ini sudah banyak software komersial berbasis metode elemen hingga (Finite Element Analysis) dipasarkan. Sebagai contoh adalah ANSYS, yang dapat menimbulkan pengaruh besar pada perhitungan analisa statis dan dinamis untuk pelat. Fenomena ini akan menyederhanakan persoalan dalam mengatasi masalah kalkulasi dan beberapa iterasi yang panjang.

Dasar dari metode elemen hingga adalah membagi benda menjadi elemen-elemen kecil yang jumlahnya berhingga sehingga dapat menghitung reaksi akibat beban (load) pada kondisi batas (boundary condition) yang diberikan.

Dari elemen-elemen tersebut dapat disusun persamaan-persamaan matrik yang bisa diselesaikan secara numerik dan hasilnya menjadi jawaban dari kondisi beban yang diberikan pada benda kerja tersebut. Dari penyelesaian matematis dengan menghitung inverse matrik akan diperoleh persamaan dalam bentuk metrik elemen.

Dengan metode elemen hingga ini, dapat diperoleh suatu hasil yang akurat dan dapat diuji coba dengan menggunakan simulasi program ANSYS. Penggunaan simulasi ini bertujuan untuk mencoba setting yang pas sehingga diperoleh hasil yang akurat tanpa harus membuat barang itu secara aktual. Keuntungannya adalah apabila terjadi kesalahan pada perhitungan, kita masih dapat memperbaiki atau mengulang kembali, untuk mendapatkan hasil yang lebih baik. Diharapkan dalam beberapa simulasi, akan ditemukan suatu perancangan yang akurat untuk framework Beam.